The term "New Shanghai" has gained increasing popularity among the younger generation in Shanghai, with concepts like "New Shanghai Life" and "New Shanghai Model" becoming more prominent. Unlike the traditional image of Shanghai from the past, the New Shanghai School emerged in the modern era, embodying a contemporary and forward-thinking spirit. The essence of "new" lies in the refined cultural depth of the old Shanghai School, while also integrating the values of the times—development, innovation, and progress.
The history of "Haipai Jade Carving" dates back to 1843 when it first took root in Shanghai, marking 167 years of evolution. Over time, it has developed a distinct spiritual identity, summarized in twelve characters: elegance, inheritance, innovation, and the pursuit of excellence. The term "Haipai" not only refers to the local jade carving school in Shanghai but also represents a broader cultural spirit. Compared to other schools such as the Beijing School, Yang Bang, and Su Gang, the Shanghai School is characterized by its cosmopolitan thinking, values, aesthetics, and taste.
However, the "New Haipai" is not entirely new—it builds upon the rich cultural heritage of the past. In particular, the "New Shanghai Jade Carving" never abandons the integration of traditional Chinese culture, for jade is deeply rooted in Chinese tradition, and must reflect Chinese aesthetics and convey national spirit. I am a firm believer in this philosophy.
Over my thirty-year career in white jade carving, two key features have defined my "New Shanghai Style": new themes and new compositions. While I inherited the traditional techniques of the Ming Dynasty's Zaoka brand and the Yang-style relief art, I also adopted a realistic approach to depicting human figures and objects, striving for accuracy and clarity. I incorporated modern artistic composition techniques and photography-inspired styles, such as asymmetry and irregularity, to enhance the visual impact of jade works.
What I emphasize is that the "New Shanghai Style" is not purely regional. It combines the core elements of the Shanghai School with modern, contemporary, and emerging influences, reflecting the spirit of modern Shanghai culture. I hope viewers of my jade carvings do not be surprised by the evolving subject matter. My works express poetic ideas rooted in traditional Chinese aesthetics, blending the sensibilities of a modern artist and writer.
The concept of "New Shanghai" extends beyond art into lifestyle. A morning cup of strong coffee, an elegant opera evening, or a quiet weekend read—these are all reflections of the New Shanghai model. In my work, I often depicted scenes like elegantly dressed women in Western-style villas or graceful ladies in Shikumen buildings, capturing the soft lines and refined charm of old Shanghai.
In 2007, my "Baihua Award" gold piece "Lunch Tea" was auctioned successfully in Beijing in 2008, and another 2007 work, "Shang Ying," won the "Tiangong Award." These pieces focused on the nostalgic atmosphere of old Shanghai. Recently, I have expanded my creative vision, moving away from mythological and historical themes toward more everyday life—rural landscapes, tranquil natural scenes, and moments where people blend into their surroundings. For example, in my work "Early Spring," a boat glides through a southern town, surrounded by blooming flowers and drifting petals, evoking the gentle beauty of spring.
Another hallmark of the "New Shanghai Style" is innovative composition. I incorporate elements from Western painting, sculpture, and contemporary art, as well as traditional Chinese folk art, such as paper-cutting and architectural carvings. I use modern design principles like contrast, echo, and line elements to create a harmonious blend of old and new.
My passion for photography since childhood has influenced my approach to jade carving. I experimented with different perspectives, using long-lens and wide-angle effects to create visual depth. This technique translates into my jade works, where perspective, light, and color play a crucial role in conveying meaning and emotion.
In my 2009 piece "Phantom of the Clouds," I applied sculptural perspective to create a scene where viewers feel as if they're standing inside a house, observing the outside world. The combination of classical aesthetics and modern composition makes the work both timeless and fresh.
Finally, the craftsmanship of the Haipai jade carvings is defined by precision, creativity, and refinement. I focus on maintaining the natural characteristics of the raw material, emphasizing balance between detail and simplicity. My double-sided carving designs combine painting, calligraphy, and carving, creating a rich visual experience. Each piece tells a story, balancing form and meaning.
As the jade market grows, so does the challenge of working with high-quality materials. Despite this, I continue to innovate, introducing modern subjects and techniques into traditional jade art. From modern architecture to daily life, each piece reflects the spirit of the New Shanghai School.
Womens Blouses,Work Blouses For Women,Women'S Dressy Blouses,Cotton Blouses For Women
Ningbo Ysang Garment CO.,LTD , https://www.nilesone.com