Yangzhou jade carving is very prosperous and developed in history. In the middle of the Qing Dynasty, the Yangzhou jade entered the heyday and became the main jade distribution center and jade production production center in China. In the production of large jade, Yangzhou is the highest in the country.
However, the road to the inheritance of Yangzhou jade articles has not been smooth sailing, and the innovation of craftsmanship has never stopped.
Yangzhou jade carvings have always been famous for carving large jade carvings, the most famous of which is Shanzi. The traditional mountain is originated from the Yuan and prevails in Qing. The egg shape of the seed material is used in the production. After careful design, the poetry dictionary or the character image is used as the content, and the figures, landscapes, pavilions, flowers and grass worms, and birds and beasts are carved on the hillside by means of round carving, relief, and hollow carving. Or the cliffs, which form a three-dimensional picture, are majestic and honest. Shanzi has realized the pioneering use of raw materials while retaining the natural shape of jade and reflecting the beauty of jade texture.
During the reign of Emperor Qianlong, it was more than 10,000 kilograms. The "Dayu Water Control Map", known as the "King of Jade", is the pinnacle of the mountain sculpture. It has been in Yangzhou for six years and is magnificent. The stone is more than two meters high.
Along with the social turmoil after Jiaqing, the jade carving gradually went downhill, and the mountain craft gradually lost. At the beginning of the founding of New China, the Ministry of Light Industry required jade articles to be used only for five major categories of products. Shanzi was not in it, and Shanzi’s skills disappeared into history.
In 1978, Xia Linbao, then the chief of the technical department of Yangzhou Jadeware Factory, led a group of contemporary jade carving masters such as Gu Yongjun and Huang Yongshun to set up a mountain carving team to investigate the ancient jade carvings and travel to Beijing, Xinjiang and other places to study and inspect new technologies. Under the conditions, the original shape of the carving gradually transitions to the internal sculpture, the use of raw materials has reached a new artistic realm. However, Shanzi has experienced a rough process for the industry to accept. In the early 1980s, the Yangzhou Jade Factory first took out a piece of Shouxingshanzi sculpture, which caused great controversy. It was not until 1986 that Jasper Mountain’s “Stone Inscriptions†won the Golden Cup Award for National Quality Treasures. The media and the industry said that this piece of jade mountain "is the jade mountain treasure that was only seen in the 200 years after the large-scale jade ware made in the Qing Dynasty of China in the Qing Dynasty." It fully reflects the new level of Chinese jade carving skills."
Yangzhou Jade Enterprise System Copes with the Changes of the Times
In the late 1980s and early 1990s, the overall development trend of state-owned jade enterprises was abrupt. The price of jade materials has risen so fast that the enterprises that originally allocated raw materials by plan are economically unbearable. In terms of sales, there is no unified purchase and marketing of foreign trade, and we must find a way out for our products. The technical backbone of the National Jade Carving Factory has also resigned to the sea. Xia Linbao made three major decisions: joint establishment of factories, labor export, and in-plant research. The “In-plant Research Institute†is equivalent to setting up a jade studio in the factory to concentrate the technical elite, enabling the factory to transfer to the high-end jade carving art market. The “In-plant Research Institute†has produced a group of outstanding jade carving masters.
Yangzhou Jadeware Factory has become the only state-owned capital holding enterprise in the jade industry that has not been reformed and is still flourishing. It is a Chinese old-fashioned brand, a national jade industry national industrial tourism demonstration site, and a national-level non-legacy production protection demonstration base.
The tradition and innovation of Yangzhou jade craftsmanship
Yangzhou jade carving emphasizes "because of the material industry", fully utilizes the characteristics of jade raw materials, highlights its natural beauty, and maximizes the value of each jade.
The author found that when the jade is scarce, the price of raw stone has soared, and the finished product has sold raw materials. At the same time, the aesthetic taste of jade is also changing quietly: on the basis of not changing the original appearance of jade, Some thoughts design a unique piece of work that will make people feel refreshed. In the process of Saitama, the author also encountered raw materials that have been smashed, and after a skillful carving, it has become a rare boutique. A collection called "Yuyu" is a piece of topaz, but there are black spots on it, which exceeds the standard of judging the jade. Therefore, the spot is designed to be a "leopard", and the "leopard" sound is the same as "hug". "Holding" means "taking" and "taking jade" is therefore coming. A piece of jade that is not very outstanding, through creative design, has become a far-reaching work.
In recent years, the author designed the “unified Jiangshanâ€, which used the ingenious design of the enamel and the skin color, and won the Excellence Award in the 2014 Baihua Yuyuan Cup China Jade Carving Boutique Award. Another piece of work, “Bole, Maâ€, used Xinjiang raw stone skinned material, which was designed with the shape of the image, and the image was carved into Bole and Maxima. The skin color and the enamel part were fully utilized and carved into a dead leaf and an old man. Bole has a thousand miles.
In addition to the restoration and innovative design of the mountain carvings, Yangzhou also expanded the "chain live" skills, and the combination of the chain and the vertical jade carvings made the shape still moving and graceful. In recent years, it has developed a variety of product types for the masses to meet the diverse needs of different consumers.
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